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"Deeply superficial": Andy Warhols Amerika-Images der 1950er und 1960er als Kulturkritik

Object category:
Hochschulschriften
Publisher:
transcript-Verlag
Place of publication:
Bielefeld
Date:
2015
Extent, illustration, format:
1 Online-Ressource (328 S.;) Ill.
Language:
Deutsch
Abstract:
In place of the entanglement of person and work that so strongly marks the artistic work of Andy Warhol, and settles it in the usual Pop Art context, Mèlanie-Chantal Deiss locates it within the cultural context of America's post-war period. Viewed from this perspective, Warhol's work - which tends to be classified as superficial and ahistorical - exhibits unexpectedly serious engagements with concerns of the 1950s and 1960s. Throughout his image series, expressive, somewhat ambivalent narrative strands from America's post-war period unfurl, which transmit a concrete image, as a kind of written historical document. Warhol's visualized narration ultimately culminates in a cultural critique, which treats America not just as a stage of images, but also as site of contemplation of a cultural imaginary, in which art can critically and productively intervene.
In place of the entanglement of person and work that so strongly marks the artistic work of Andy Warhol, and settles it in the usual Pop Art context, Mèlanie-Chantal Deiss locates it within the cultural context of America's post-war period. Viewed from this perspective, Warhol's work - which tends to be classified as superficial and ahistorical - exhibits unexpectedly serious engagements with concerns of the 1950s and 1960s. Throughout his image series, expressive, somewhat ambivalent narrative strands from America's post-war period unfurl, which transmit a concrete image, as a kind of written historical document. Warhol's visualized narration ultimately culminates in a cultural critique, which treats America not just as a stage of images, but also as site of contemplation of a cultural imaginary, in which art can critically and productively intervene. Mélanie-Chantal Deiss (lic. phil.), geb. 1976, hat an der Universität Zürich Germanistik und Anglistik studiert. Sie unterrichtet seit 2004 Deutsch und Englisch am Gymnasium.
Object text:
Mélanie-Chantal Deiss
Dissertation Universität Zürich 2013
Contents:
Frontmatter -- Inhalt -- Vorwort -- Warhol made in USA: Amerikanische Kultur und Kunst in den 1950ern und 1960ern -- Amusement: Amerikanischer Life-Style in den 1950ern und 1960ern -- Think Prosperity, Have Prosperity: Amerikanische Business-Kunst -- Bold and Beautiful: Amerikanische Star-Fabrik -- TROUmatic: Amerikanische Tragödie -- USA made by Warhol: Amerikanische Kunst und Kultur sowie deren Nach- und Auswirkung -- Bibliografie und Abbildungsverzeichnis -- Backmatter
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Created:
2023-04-14
Last changed:
2022-07-08
Added to portal:
2023-04-14